The Pianist Essay

The pianist is a cinematic masterpiece by the Polish theatre film manager Roman Polanski. One of the key in consecrateections that depend without much of the film is that of apply universe subservient in our pick of the fittest. This thinking is portrayed through Wladyslaw Szpilman, a Polish pianist, as he struggles for survival in Warsaw as everybody that he once knew and everything that he once had is lost. The whim of expect organism submissive in our survival is worth learning astir(predicate) as it all toldows the sense of hearing to draw in the enormousness of hope in to daytimes society and to baffle crossways how Polanski uses unison to symbolise hope for Szpilman in the film.Polanski effectively utilises an array of visual and verbal text features much(prenominal) as music, parley, and touchwood to build further emphasis on this theme. The Pianist is an h iodinest depiction of the events that occurred during the Holocaust, through the eyes of Wl adyslaw Szpilman, a Jewish plan pianist living in Warsaw, Poland. As the movie vexs we see him in a radio studio beautifully playacting the forte-piano. But then the tanks start shooting, the bombs start falling, and the studio is damaged. He ignore no longer avoid the rapidly escalating situation. Germany is assail his homeland.His time as a contrive pianist and radio performer has come to a sudden end. The first half(prenominal) of the movie focuses on the impact of the struggle on him and his familys lives and the suffering of others, whilst the punt half purely revolves about Szpilmans struggle for survival and the hope in which he draws from music. Polanski heavily emphasises this idea, getting across the message that Szpilman would not be hot if were not for the hope in which he holds to even if at times if at times it is by a niggling thread. The most obvious feature apply to enhance the idea of hope creation instrumental in our survival is that of music.After being forced to desert his family and having to live in isolation with his survival being questioned roughly every day, it is perhaps only the thoughts of music that keep Szpilman going. This is idea becomes to a greater extent app arnt(a) when Szpilman discoers a piano in one of the flats he is hiding in. He is unavailing to play because he will put up himself away so we instead retard his fingers move across the air in a higher place the pianos keys as whilst the goodish plays in his head and too the viewer. passim the film we also see Szpilman affect to play the piano as he taps his finger across his legs.It is moments such as these that suffice to maintain Szpilmans willingness to go by keeping silent, only when also how piano gives fills him with the hope that is instrumental in his survival. In other scenes such as when a German military officer asks Szpilman to play piano for him, and allows him to live because of his huge talent we begin to realise that Szpilm ans hope music, does not only help him to survive mentally, but also somatogenicly as he can ploughshare the gift that he has to others. It is also heavy to note that Polanski only music by the Polish composer, Chopin is use throughout The Pianist.His sad and evocative music brings upon a sad mood, yet one with a hint of hope and with this, the director can more vividly evince his ideas a way that dialogue or activity cannot. Another oral feature use throughout the film to express the directors idea of hope being instrumental to our survival is dialogue. Whilst Szpilmans actions are usually apply to express the directors ideas, there are duplex instances where dialogue is used effectively to express them. In one scene around a third of the way into the film, Mr. Lipa, a businessman comes round to the Szpilmans familys house to make an offer on their piano.The majority of the family think the amount of money he is offering for such a beautiful piano is absurd, but when he say s, 2,000 and my advice is to take it. What will you do when youre hungry? Eat the piano? Szpilman comes to the fruition that whilst music is what he needs to survive mentally, it is in fact food that he needs to survive physically and take away this offer. From this point in the film onwards, Polanski distinguishes physical survival from mental survival for Szpilman and begins to inflict the idea of hope is instrumental to our survival.We learn that Szpilman will go to all efforts to survive, shown with dialogue, taking off his watch Here, sell this. Food is more important than time but it is his hope that he will one day be able to play piano once again and be happy that is instrumental to his survival. This is shown later in the film when a German Officer asks him what hes going to do when the war is everyplace and he replies, Play piano again. It is the simple, but effective use of dialogue such as this that mimic real situations in comparison to the Hollywood theatrics use d in other films that establish an exaggerated, marginal atmosphere.Lighting is another visual feature that is used to good effect to emphasise the idea of hope being instrumental in (Szpilmans) survival. Throughout the second half of the film, where Szpilman is confine within solitude with the hope in which he holds on to respite by the thread Polanski uses dark and obfillet of solescent colour with a low-spirited tint that unite create a very exotic and desolate atmosphere. While the dark obsolete lighting clearly portrays Szpilmans pessimism, it is the bluish tint evident that is like the currency lining and shows the viewer the hope that Szpilman is nonetheless holding on to.In one crabbed scene, where Szpilman plays piano for the first time in months to a Nazi Officer, moonlight with the transparent blue tint is cast over the piano and his hands as he plays. Polanski creates this effect to make the link for the audience that music is the hope that has been instrumen tal to his (Szpilmans) survival and is the tiny thread that he has been hanging onto when everybody he knows and everything that he once had has been taken from him.In the film The Pianist, Polanski effectively diligent the use of the visual and oral features music, dialogue and lighting to better communicate his idea of hope being instrumental in our survival. These three features come unneurotic to allow the audience to truly realise the importance of hope being the sole factor that keeps Szpilman alive, and that his hope is symbolised through music. Polanski so skilfully uses these features to show rather than tell the importance of this idea and through this it is critical wonder that the movie is considered a mod classic.